D
G
Thaat ASAVARI Jati Shadav-Sampurna
It is a very pretty, somewhat plaintive, raga. It portrays deep yearning mixed with a grounding sense of resignation. Compared with its cousin, Raag Darbari, it has a distinctly feminine quality to it. It needs to be treated with a light touch and uses predominantly light ornamentation. This raga is sung in the late morning hours, up to noon or so.
0-15 mins
15-45 mins
> 45 mins
All
Fateh Ali Khan
Sanjeev Abhyankar
Kishori Amonkar
Begum Parveen Sultana
Bade Ghulam Ali Khan
Bhimsen Joshi
Nikhil Banerjee
Instrument Sitar
Fateh Ali Khan
Kishori Amonkar
Fateh Ali Khan
Ram Narayan
Instrument Sarangi
Anil Kumar Saha
Manju Mehta
Instrument Sitar
Manju Mehta
Instrument Sitar
Sign up to access exciting features of Raagist!
Raagist has 10K+ users in 100+ countries & 1300+ cities. Last updated on 17 Jul, 2015
Top 10 countries: India, US, UK, Canada, Germany, China, Japan, France, Pakistan, Australia.
Advertisement
We are always updating and adding more classical content and features that will keep your love for Indian classical music alive and well. Send us feedback, if you have any questions/comments.